La Vida Breve, 1964
Juganda del Toro, 1965
Fiesta de Andalucía, 1969
Misa Flamenca I, 1971
Don Quijote, 1978
Al Andalus I, 1984
Boda de Sangre, 1988
Federico García Lorca’s hard-faced, gritty domestic drama is portrayed through an array of conflicts and passions stringently reined in by the formalities and tension of Flamenco.
Pasión, Gracia y Fuego I, 1989
Carmen, 1990
Crónica de una Muerte Anunciada, 1990
Spanish dance meets South American tragedy. Gabriel García Marquez’s story of envy, family pride and violent death is told through Flamenco, poetry, choral music and laser effects.
Los Flamencos Somos Así, 1991
Sentimientos, 1992
Al Andalus II, 1993, 1994
A tale of passion, love and jealousy. The interfusion of Flamenco and Arabic music reflects the encounter and union of two cultures and peoples.
Camino Flamenco, 1993
El Amor Brujo, 1994
Manuel de Falla’s “Love and the Magician” is love bewitched.
La casa de Bernarda Alba, 1995, 1997
Federico García Lorca’s characters are dissected in this masterpiece of expansive Flamenco dance theatre which juxtaposes traditional Flamenco rhythms, innovative choreograph and speculative percussion. The nine women in this work (including a domineering mother and a senile grandmother) struggle to live together behind closed doors in a house full of intrigues. They come to life through the thrilling intensity of Flamenco.
Misa Flamenca II, 1995
Dancing in the Altar, the Flamenco rendition of the Catholic High mass, in collaboration with choral singers.
Bolero & Three Spanish Dances, 1995
A journey into new choreographic boundaries blending Flamenco and Classical techniques, resulting in a dazzling spectacle of brilliance, power and dexterity.
Pasión, Gracia y Fuego II, 1995
The great Flamenco Anthology, with World-stars of Flamenco, a musical reconstruction of the journey of the Gypsies.
Fiesta, 1996
Authentic traditional flamenco at its best. Top artists challenge each other to display their skills and virtuosity.
La Vida Breve, 1997
A tribute to Manuel de Falla.
Loco, 1997
Contemporary dance drama, inspired by Pedro Almódovar’s Tie me up! Tie me down!
Una Noche Andalusa,1998
An evocation of traditional Spain.
Mosaico Flamenco, 2000
Laberinto Flamenco, 2001
The House Plus, 2001
Flamenco rhythms and tunes, freely interpreted through traditional and non-traditional instruments, classical music with a twist, classically trained dancers with a myriad of multicultural backgrounds, meld into a dramatic dance interpretation of a renowned Spanish poet.
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